The Argus Pheasant

The watcher on the junk gave no sign that he had seen this curious performance. But as Cho Seng scuttled back into the house, he disappeared into the bowels of the ugly hulk.

An hour passed before Cho Seng reappeared on the veranda. He cast only a casual glance at the junk and saw that it was being provisioned. After listening for a moment to the rhythmic snoring that came from the chamber above – Mynheer Muller's apartment – he turned the corner of the house and set off at a leisurely pace toward the tangle of mangroves, banyan, bamboo cane, and ferns that lay a quarter of a mile inland on the same elevation on which the settlement and stockade stood.

There was nothing in his walk to indicate that he had a definite objective. He strolled along in apparent aimlessness, as though taking a morning's constitutional. Overhead hundreds of birds created a terrific din; green and blue-billed gapers shrilled noisily; lories piped their matin lays, and the hoarse cawing of the trogons mingled discordantly with the mellow notes of the mild cuckoos. A myriad insect life buzzed and hummed around him, and scurried across his pathway. Pale white flowers of the night that lined the wall shrank modestly into their green cloisters before the bold eye of day. But Cho Seng passed them by unseeing, and unhearing. Nature had no existence for him except as it ministered unto his physical needs. Only once did he turn aside – a quick, panicky jump – and that was when a little spotted snake glided in front of him and disappeared into the underbrush.

When he was well within the shadows of the mangroves, Cho Seng suddenly brightened and began to look about him keenly. Following a faintly defined path, he walked along in a circuitous route until he came to a clearing under the shade of a huge banyan tree whose aërial roots rose over his head. After peering furtively about and seeing no one he uttered a hoarse, guttural call, the call the great bird of paradise utters to welcome the sunrise – "Wowk, wowk, wowk."

There was an immediate answer – the shrill note of the argus pheasant. It sounded from the right, near by, on the other side of a thick tangle of cane and creeper growth. Cho Seng paused in apparent disquietude at the border of the thicket, but as he hesitated, the call was repeated more urgently. Wrenching the cane apart, he stepped carefully into the underbrush.

His progress through it was slow. At each step he bent low to make certain where his foot fell. He had a mortal fear of snakes – his nightmares were ghastly dreams of a loathsome death from a serpent's bite.

There was a low ripple of laughter – girlish laughter. Cho Seng straightened quickly. To his right was another clearing, and in that clearing there was a woman, a young woman just coming into the bloom of a glorious beauty. She was seated on a gnarled aërial root. One leg was negligently thrown over the other, a slender, shapely arm reached gracefully upward to grasp a spur from another root, a coil of silky black hair, black as tropic night, lay over her gleaming shoulder. Her sarong, spotlessly white, hung loosely about her wondrous form and was caught with a cluster of rubies above her breasts. A sandal-covered foot, dainty, delicately tapering, its whiteness tanned with a faint tint of harvest brown, was thrust from the folds of the gown. At her side, in a silken scabbard, hung a light, skilfully wrought kris. The handle was studded with gems.

"Good-morning, Cho Seng," the woman greeted demurely.

Cho Seng, making no reply, snapped the cane aside and leaped through. Koyala laughed again, her voice tinkling like silver bells. The Chinaman's laborious progress through the cane had amused her. She knew why he stepped so carefully.

"Good-morning, Cho Seng," Koyala repeated. Her mocking dark brown eyes tried to meet his, but Cho Seng looked studiedly at the ground, in the affected humility of Oriental races.

"Cho Seng here," he announced. "What for um you wantee me?" He spoke huskily; a physician would instantly have suspected he was tubercular.

Koyala's eyes twinkled. A woman, she knew she was beautiful. Wherever she went, among whites or Malays, Chinese, or Papuans, she was admired. But from this stolid, unfathomable, menial Chinaman she had never been able to evoke the one tribute that every pretty woman, no manner how good, demands from man – a glance of admiration.

"Cho Seng," she pouted, "you have not even looked at me. Am I so ugly that you cannot bear to see me?"

"What for um you wantee me?" Cho Seng reiterated. His neck was crooked humbly so that his eyes did not rise above the hem of her sarong, and his hands were tucked inside the wide sleeves of his jacket. His voice was as meek and mild and inoffensive as his manner.

Koyala laughed mischievously.

"I asked you a question, Cho Seng," she pointed out.

The Chinaman salaamed again, even lower than before. His face was imperturbable as he repeated in the same mild, disarming accents:

"What for um you wantee me?"

Koyala made a moue.

"That isn't what I asked you, Cho Seng," she exclaimed petulantly.

The Chinaman did not move a muscle. Silent, calm as a deep-sea bottom, his glance fixed unwaveringly on a little spot of black earth near Koyala's foot, he awaited her reply.

Leveque's daughter shrugged her shoulders in hopeless resignation. Ever since she had known him she had tried to surprise him into expressing some emotion. Admiration, fear, grief, vanity, cupidity – on all these chords she had played without producing response. His imperturbability roused her curiosity, his indifference to her beauty piqued her, and, womanlike, she exerted herself to rouse his interest that she might punish him. So far she had been unsuccessful, but that only gave keener zest to the game. Koyala was half Dyak, she had in her veins the blood of the little brown brother who follows his enemy for months, sometimes years, until he brings home another dripping head to set on his lodge-pole. Patience was therefore her birthright.

"Very well, Cho Seng, if you think I am ugly – " She paused and arched an eyebrow to see the effect of her words. Cho Seng's face was as rigid as though carved out of rock. When she saw he did not intend to dispute her, Koyala flushed and concluded sharply:

" – then we will talk of other things. What has happened at the residency during the past week?"

Cho Seng shot a furtive glance upward. "What for um?" he asked cautiously.

"Oh, everything." Koyala spoke with pretended indifference. "Tell me, does your baas, the mynheer, ever mention me?"

"Mynheer Muller belly much mad, belly much drink jenever (gin), belly much say 'damn-damn, Cho Seng,'" the Chinaman grunted.

Koyala's laughter rang out merrily in delicious peals that started the rain-birds and the gapers to vain emulation. Cho Seng hissed a warning and cast apprehensive glances about the jungle, but Koyala, mocking the birds, provoked a hubbub of furious scolding overhead and laughed again.

"There's nobody near to hear us," she asserted lightly.

"Mebbe him in bush," Cho Seng warned.

"Not when the southeast monsoon ceases to blow," Koyala negatived. "Mynheer Muller loves his bed too well when our Bornean sun scorches us like to-day. But tell me what your master has been doing?"

She snuggled into a more comfortable position on the root. Cho Seng folded his hands over his stomach.

"Morning him sleep," he related laconically. "Him eat. Him speakee orang kaya, Wobanguli, drink jenever. Him speakee Kapitein Van Slyck, drink jenever. Him sleep some more. Bimeby when sun so-so – " Cho Seng indicated the position of the sun in late afternoon – " him go speakee Mynheer Blauwpot, eat some more. Bimeby come home, sleep. Plenty say 'damn-damn, Cho Seng.'"

"Does he ever mention me?" Koyala asked. Her eyes twinkled coquettishly.

"Plenty say nothing," Cho Seng replied.

Koyala's face fell. "He doesn't speak of me at all?"

Cho Seng shot a sidelong glance at her.

"Him no speakee Koyala, him plenty drink jenever, plenty say 'damn-damn, Cho Seng.'" He looked up stealthily to see the effect of his words.

Koyala crushed a fern underfoot with a vicious dab of her sandaled toes. Something like the ghost of a grin crossed the Chinaman's face, but it was too well hidden for Koyala to see it.

"How about Kapitein Van Slyck? Has he missed me?" Koyala asked. "It is a week since I have been at the residency. He must have noticed it."

"Kapitein Van Slyck him no speakee Koyala," the Chinaman declared.

Koyala looked at him sternly. "I cannot believe that, Cho Seng," she said. "The captain must surely have noticed that I have not been in Amsterdam. You are not telling me an untruth, are you, Cho Seng?"

The Chinaman was meekness incarnate as he reiterated:

"Him no speakee Koyala."

Displeasure gathered on Koyala's face like a storm-cloud. She leaped suddenly from the aërial root and drew herself upright. At the same moment she seemed to undergo a curious transformation. The light, coquettish mood passed away like dabs of sunlight under a fitful April sky, an imperious light gleamed in her eyes and her voice rang with authority as she said:

"Cho Seng, you are the eyes and the ears of Ah Sing in Bulungan – "

The Chinaman interrupted her with a sibilant hiss. His mask of humility fell from him and he darted keen and angry glances about the cane.

"When Koyala Bintang Burung speaks it is your place to listen, Cho Seng," Koyala asserted sternly. Her voice rang with authority. Under her steady glance the Chinaman's furtive eyes bushed themselves in his customary pose of irreproachable meekness.

"You are the eyes and ears of Ah Sing in Bulungan," Koyala reaffirmed, speaking deliberately and with emphasis. "You know that there is a covenant between your master, your master in Batavia, and the council of the orang kayas of the sea Dyaks of Bulungan, whereby the children of the sea sail in the proas of Ah Sing when the Hanu Token come to Koyala on the night winds and tell her to bid them go."

The Chinaman glanced anxiously about the jungle, fearful that a swaying cluster of cane might reveal the presence of an eavesdropper.