Barbara Taylor Bradford’s 4-Book Collection

‘Even so, I honestly think he’ll give you trouble about casting an unknown in the Catherine Earnshaw role.’ Nick stopped, wondering uncertainly whether or not he should go on, and then he plunged in: ‘Listen, Vic, perhaps that is a bad idea. I know you can carry the picture yourself, that you don’t need any other big-name stars backing you up, but maybe Lazarus does have a point. Why even bother to test Katharine Tempest? Why don’t you give the part to an established movie actress, and save yourself additional problems with Lazarus?’

Victor shook his head. ‘No, Nicky. I’m testing Katharine.’

Nick observed him closely, and noting the adamant set of his jawline, he refrained from comment. He wondered to himself if Victor and Katharine were romantically involved, and quickly dismissed the idea as highly unlikely. But even if they were, the days of the casting couch were long since gone. Besides which, Victor was too shrewd, too tough and too much of the businessman to fall into that dangerous trap. He wouldn’t take any chances with his career, or his money, for a quick fling with a passing fancy. Notwithstanding, Nick was curious. ‘Why are you so keen on testing her?’

‘Because I gave her my promise, and because in a way she has earned it. Of course, there’s another reason, the most important reason of all. I just happen to believe she would be perfect in the part. There’s a kind of wildness in her, a fire, that reminds me very much of Cathy in Wuthering Heights. I think she would be as good as Merle Oberon in the role, perhaps even better. It strikes me Katharine Tempest has a lot more vivacity and spirit. If she tests the way I hope she will, I’m going to put her in the picture, and to hell with my backers, whoever they are.’ Victor’s mood changed abruptly, and he gave Nick a smile that hinted at his satisfaction. ‘I’m also going to sign her to a contract with Bellissima Productions. You see, I have a sneaking feeling Katharine Tempest is going to be a big star one day, although I wouldn’t say that to anyone else but you until after I’ve seen the test. Look, trust me. I know what I’m doing. From the very first moment I met Katharine I have felt that she has that – that indescribable thing, that IT. Charisma. Star quality. Whatever you want to call it. If she can project this quality to the camera, and I hope she can, then she’s home free. She’ll be very, very big. If she can’t –’ He pursed his lips regretfully. ‘Well, she’ll go on being a brilliant actress. On the stage.’ Now he chuckled, his eyes merry. ‘I don’t know why you haven’t spotted this quality in her yourself.’

‘As a matter of fact, I have. But –’ Nick’s voice trailed off and he lifted his shoulders in a weary gesture. ‘Look, Vic, I have to repeat that Lazarus will never go for the idea of an unknown actress in this role, however good she is. He seems hell bent on getting a big female movie star to play opposite you. You know something else? I have a strong suspicion he’s going to arrive in London before you can blink. I wouldn’t be a bit surprised if he’s here already.’

Victor rose and poured himself another Scotch. ‘I might as well tell you, I’ve been seriously thinking of dumping Lazarus.’ This was uttered with casualness, indifference even, and he looked unconcerned. ‘In fact, the thought’s been hovering at the back of my mind for a couple of weeks. He’s an autocratic, interfering bastard. A megalomaniac. And just because he runs a giant multinational corporation doesn’t mean he knows how to produce a movie, although he undoubtedly believes he does. But he’s a rank amateur in our business. It has struck me innumerable times lately, and quite forcibly, that I’m letting myself in for a lot of headaches if I take him into Bellissima Productions. Or rather, let him invest in the picture. I’m sorry I ever got involved with him, to tell you the truth. And what I’ve just heard from you makes me more wary than ever. I think I have to lose him, and quickly.’

‘Jesus, Vic! That would be great. But how are you going to get rid of him? I thought you had a contract.’

‘A contract was drawn between Bellissima Productions and Lazarus, but I haven’t signed it yet. There were a couple of clauses in it that bothered me, and I sent it over to my solicitor here. A copy has also gone to my lawyer in Beverly Hills. I’m waiting for their opinions before I sign. So you see, I can dump him any time I want, without fear of repercussions. As yet, Mike Lazarus hasn’t invested a nickel, you know. So basically, he has no claims whatsoever. I’m still in the driver’s seat.’ He settled back, looking smug.

‘But how will you finance the picture without him?’ Nick asked worriedly.

‘Ah, and therein lies the rub, to quote good old Will Shakespeare. To be honest, I don’t know right now. I hadn’t wanted to go to one of the majors for financing as well as distribution, but I might have to in the end. Anything is better than Lazarus. Metro might be interested. What do you think?’

Nick frowned. ‘I honestly don’t know. They might not be too excited by a remake of Wuthering Heights. Did you see that story in Variety a couple of weeks back? The exhibitors were sounding off about remakes, and in very strong terms. They think they are box office poison, that people aren’t interested in them.’

‘Oh come on, sport, forget it, and let me worry about the timeliness of the picture, the money, and all that jazz. I think Hélène’s information about Lazarus has spooked you a bit. For God’s sake, don’t let’s get depressed about that joker. I’ll find a way to pull the deal together. Now, why don’t we get out of here? I’d like some fresh air and a brisk walk. Shall we mosey on up to the Connaught Hotel for lunch? It’s the whole enchilada on Sunday.’

‘That’s a great idea,’ Nick said, trying to sound cheerful.

‘Give me five minutes to get dressed. And help yourself to another drink while you’re waiting.’

‘Thanks, I will.’ Nick stood up and walked over to the bar cart, deep in thought. He turned. ‘I say, Vic, can I ask you something?’

‘Sure.’ Victor paused at the bedroom door, his hand resting on the knob, conscious of the gravity in Nick’s tone.

Nick’s face was unusually solemn. ‘Assuming you definitely decide not to go ahead with Mike Lazarus as your main backer, what will you do if you can’t get financing from one of the majors, such as Metro, Twentieth or Warners?’

A thoughtful look drifted across Victor’s face, and he cleared his throat. ‘I’ll have to abort the production. Cancel the picture. I’ll have no alternative,’ he said with some deliberation, having already confronted this possibility and made his decision. ‘The pre-production money will go down the drain unfortunately, but there’s not much I can do about that. And thank God it won’t cripple Bellissima Productions. It can be written off as a tax loss.’ He sighed lightly. ‘C’est la guerre, old buddy.’ He gave Nick a lopsided grin and went through into the bedroom.

Cancel the picture, Nick thought, staring after him, staggered, disbelieving. After all the hard work they had put into it. Jesus Christ! Not only the pre-production money would go down the drain, but a year of their lives as well. Yet Nick knew Victor meant every word. Things were always carefully evaluated and well thought out before he made a judgment. His decisions were nothing if not judicious and pragmatic.

Nick felt his own sharp disappointment as he considered the screenplay he had laboured on so diligently and with such love these past endless months. He knew it to be one of his best pieces of writing, and he suddenly felt sick at heart at the idea of its never seeing the light of day.

You’re being selfish. You’re only thinking about yourself, he muttered, carrying his drink over to the window. He parted the curtains and looked out, but saw nothing except a dim blur of grimy buildings washed in wintry sunlight. But a lot of other people will be disappointed too, thought Nick sadly, not the least Victor, who had dreamed of making Wuthering Heights for the longest time, was aching to play Heathcliff for the sheer challenge the role offered to him. Nick knew Victor wanted to stretch his talent, was weary of being thought of simply as an immense presence on the screen.

He and Victor would recover from their disappointment relatively quickly, as would the production team, and move on to other projects. Victor had several offers for future films lined up, and he himself had a new novel fermenting in his head, and was anxious to start working on it as soon as possible. Yes, he and Victor were lucky in that respect. They would cut their losses, lick their wounds and walk away reasonably unscarred. But what of Katharine Tempest? She was staking everything on the screen test and the role in the film. It was a rare chance for her to catapult herself into the big time with unusual speed. Without Victor and this film it could be years before she was offered another such incredible break. If ever. Undoubtedly Katharine had put all her chips on this roll of the dice. She could win big. Or lose hard. And if she lost she would be devastated. Nick knew all of this although he had never been the recipient of any confidences from her. He simply knew it through intuition.

Nick let his thoughts dwell on Katharine. He understood why Victor saw great potential in her as a movie actress. Nick was not blind to Katharine’s attributes, which were manifold. However, conversely, his personal reaction to her was quite different from everyone else’s. Her extraordinary beauty had not beguiled him, nor had her enormous charm captivated him. In essence, she had failed to touch him as a man, and very simply he was not sure of her as a woman. Nick had detected an inherent coldness in her personality. It was a frigidity really, and, to him, this seemed all the more peculiar in view of her apparent sensuality. Except that instinctively he felt this was a façade she presented to the world, was bound up with her looks and had nothing to do with her true nature. The sensuality was on the surface. It did not run deep in her. On the few occasions he had been in her company, he had become increasingly aware of other traits which disturbed him. It struck him, unexpectedly, that there was a dichotomy in Katharine’s makeup. There was no denying her warmth and gaiety. Yet at other times she appeared strangely removed, to him, as if she had the ability to stand away from herself, as though she viewed everthing with cool indifference. No, immense detachment. He thought now: She is isolated and uninvolved with anyone on a human level.

He shook his head in bewilderment. Oh, Christ, I’m being over imaginative, he decided. There’s nothing wrong with the girl really. She’s excessively ambitious perhaps, but then who isn’t in this business. With a small shock Nick admitted he did not particularly like her, and this revelation astonished him. There was no real basis for his active dislike, and yet dislike her he did.

As he stood, sipping his drink and staring out of the window, striving to analyse his feelings, Nicholas Latimer did not know that it would take him years to fully comprehend his complex emotions in regard to Katharine Tempest.

Chapter Eleven (#ulink_ef45883f-5d16-5948-9aac-cf0adf0e45ea)

Katharine stood in the tiny kitchen of her flat in Lennox Gardens, waiting for the kettle to boil for her morning tea. She put a piece of bread in the toaster, and then, standing on tiptoe, she reached up into the cupboard, taking out a cup and saucer, and a plate. She opened the refrigerator door, removed the butter dish and a stone jar of Dundee marmalade, and placed them on a tray with the other china, her movements swift yet graceful.

The kitchen was so small that there was only enough space for one person in it, but because it was so sparklingly fresh and neat and free of the unnecessary clutter Katharine detested, it seemed much less claustrophobic than it actually was. When Katharine had taken the flat two years earlier, she had had the walls and the cabinets painted a pale duck-egg blue, and this delicate colour helped to open up the confined dimensions, as did the matching marbleized linoleum on the floor. Blue cotton curtains, gauzy and weightless, framed the small window, and on the windowsill itself there was a selection of red geraniums in clay pots, and these introduced a spark of vivid colour and springlike greenery.

Katharine stepped to the window and glanced out. The flat was on the top floor and had once been the attics of the house, before it had been converted into flats. Consequently, she had a charming bird’s eye view from her little eyrie, and one which faced onto the enclosed gardens situated in the centre of the semi-circular terrace of imposing Victorian mansions. In the summer months she looked down onto great leafy domes and cupolas shimmering with iridescent green light as the sunshine filtered through the lacy texture of the interwoven branches weighted with verdant leaves. On this February morning, the gardens were bereft, the trees stripped of beauty and life. But their black and bony branches did reach up into the prettiest sky she had seen in a long time. The dark and tumescent clouds which had shrouded London in perpetual greyness for weeks had miraculously been blown away. For once it was not raining.

It’s almost like an April morning, Katharine thought with a happy smile, and she decided there and then that she would walk to the restaurant for her luncheon appointment at one o’clock. She debated what to wear and settled on the new outfit her dressmaker had delivered last week. She was mentally reviewing the accessories which would best go with it, when the kettle’s piercing whistle cut into her musings, and she turned off the gas, filled the teapot, put the toast on the plate and carried the breakfast tray into the living room.

Despite the sunlight flooding in through the windows, this room had an air of overwhelming coldness. Essentially, this was induced by the colour scheme and the overall style of the decoration, which was austere. Everything in the room was of the purest white. Gleaming white-lacquered walls flowed down to meet a thick white carpet covering the entire floor. White silk draperies rippled icily at the windows, and white wool sheathed the long sofa and several armchairs. The latter were sleek and modern in design, as was all of the furniture in the room, including two end tables flanking the sofa, a large square coffee table and an étagère set against one wall. These pieces were made of chrome and glass, and they introduced a hard and glittering aspect that further emphasized an atmosphere excessively glacial in its overtones.

There were few accent colours in this setting, so evocative of a frozen landscape, and these were dark and muted tones of steel grey and black, and did little to counteract the chilly monotony that prevailed. Tall pewter lamps on the glass end tables were topped with steel grey linen shades, and the same metallic grey was repeated in the velvet cushions on the sofa and chairs. Black and white etchings of knights in armour, framed in chrome, marched along one wall, while a huge cylindrical glass vase containing spidery black branches stood sentinel in one corner. The étagère displayed a pair of black-lacquered candlesticks sprouting white candles and a black-lacquered Japanese bowl. There were no photographs of family or friends, none of the usual intimate objects that provide evidence of past, treasured memories, or a personal life. The room, in all truth, had the sterility of a nun’s barren and virginal cell, and it echoed the adjoining bedroom, also washed completely in pure white and unrelieved by any contrasting colours whatsoever. Katharine had furnished and decorated the flat herself, and if anyone had told her it was icy and lifeless and intimidating, she would have gaped at them askance. She loved the pristine effect she had so carefully created, considered it to be elegant and sophisticated, saw only beauty in its purity and cleanliness, elements so necessary to her well being.

Hurrying across the room, she put the tray on the coffee table and sat down on the sofa. There was a dreamy faraway expression on her face, and as she sipped her tea she allowed herself to drift with her meandering thoughts. Katharine was feeling marvellous. Euphoria and excitement had carried her through the week and now, on this Thursday morning, it seemed to her that every day that had passed since Saturday night had been a huge success.

Both Francesca and the Earl had loved her performance as Helen of Troy, and the dinner at Les Ambassadeurs, with Victor acting as the host, had been memorable. Most important to Katharine, the Earl had taken to her immediately, and she knew he had been charmed, and therefore she did not envision him creating any problems or interfering in her relationship with Kim.

Katharine was not wrong in her belief that the Earl of Langley had liked her. In fact, they had been impressed with each other, the conservative English peer of the realm and the young American beauty, and their easy accord had created a warm and friendly atmosphere, had made for a relaxed evening. Everyone had enjoyed themselves to such a degree that Victor had extended the party into the early hours, and had taken them upstairs to the Milroy to dance to Paul Adams and his orchestra. Katharine, the actress incarnate, had surpassed herself, intuitively striking the perfect balance between reticence and gaiety.

The following day, Victor had taken her to lunch at Claridge’s, the sole purpose being to discuss more fully the screen test, and to enumerate the many differences between acting on a stage and before a camera. He had held forth at great length, offering her many helpful and instructive guidelines. Katharine had been touched by this thoughtfulness on his part, and grateful to him for his sound advice. He had arranged to meet with her again, for another session before the test itself, which had been confirmed for Friday of the coming week, eight days away. Tomorrow evening the Earl was taking her to dinner with Kim and Francesca, before returning to Yorkshire with Kim at the weekend.

Katharine smiled to herself, and it was a smile of self-congratulation and jubilance. Events were moving with the precision of clockwork; all the plans she had so painstakingly made were coming to fruition. She would marry Kim and become Viscountess Ingleton, and she would be a big international movie star. She settled back contentedly, cuddling down into her woollen dressing gown, hugging herself with joy. Her dreams would soon be realized. There would be no more pain and heartache and grief. Her life was going to be wonderful from now on.

As she sat daydreaming on the sofa, it never occurred to Katharine Tempest that things might be just a little too good to be true, or that something beyond her control might happen to mar these halcyon days. And if such a thought had crossed her mind she would have dismissed it at once, and with a degree of scorn. For unfortunately, Katharine was afflicted with a character flaw that was almost Hellenic in its proportions. She was crippled by hubris, that defect the Greeks defined as the temerity to tempt the Gods, in essence, an excess of overweening pride and the unwavering conviction of personal invulnerability. Being blindly unaware of this blemish in herself, she had no qualms about anything she did, and so she was also quite confident about the result of the screen test. She would be marvellous and Victor would give her the part in the film.

Victor Mason had told Katharine he intended to start principal photography in April, and this starting date suited Katharine admirably. Her contract with the theatrical producers of Trojan Interlude had an ‘out-of-the-play’ clause, and this came into effect after she had been in the play for one year. The year would be up at the end of March and so she could invoke the clause and leave the production to do the film. The shooting schedule was for twelve weeks, with exteriors to be shot in Yorkshire, interiors at one of the major studios in London. Victor had also told Katharine that he planned to have the footage edited quickly, since he wanted the answer print by September. From this master print he intended to strike two more prints, he had gone on to explain. The film could thus be shown in cinemas in New York and Los Angeles, for one week before the end of the year, thereby making the picture eligible, under the rules, for the Academy Awards of 1956. Although Victor would not be putting the film into general distribution until the spring of 1957, he had confided he did not want to miss a chance at the Oscar nominations.

What if she won an Oscar! This prospect was at once so stunning, so electrifying, so dazzling, Katharine felt momentarily dizzy. And because she had that most unique of all talents, the talent for believing in herself, the idea that she had a chance of winning was not at all beyond the realms of possibility in her mind. But even if she did not win an Oscar, Katharine did not doubt that she would be a star when the picture was released. And her success would not only bring her fame on a grand scale, but money, lots of money, a very special kind of power.

A faint white shadow glanced across Katharine’s face, tinging it with unfamiliar bitterness and dislodging the joy which had previously rested there.

Soon, very soon, she would be able to make her moves, put her final plan into operation, and execute it with the sure knowledge that she would be triumphant. A tiny fluttering sigh escaped Katharine’s lips. It was too late to save her mother, but not too late to save her brother, Ryan. Her dearest Ryan. Lost to her for so long. This desire had been one of the prime motivations behind many of Katharine’s actions for the past few years, and just as she was unremittingly driven to succeed in her career, so too was she driven to rescue Ryan from their father’s domination, from his contaminating influence. Sometimes, when she thought of Ryan, panic moved through Katharine and she quivered with fear for him. Ryan was nearly nineteen, and she often wondered to what degree his soul had been poisoned by that man. Had Ryan inevitably become their father’s creature, partially if not wholly? This idea was so repugnant to her, so unacceptable, and so terrifying, she pushed it away fiercely, denying it with silent vehemence; but her resolution to get her brother away from Chicago and to keep him with her wherever she was living, was reinforced more strongly than ever.

Katharine thought about Ryan, and the daunting expression slowly lifted from her face; her features grew soft, the hardness tempered by love and tenderness. But as always when she contemplated him, other images intruded. Her hands tightened in her lap and she sat staring into space fixedly, without moving, her body as immobile as a statue. Surrounding Ryan like a fateful nimbus was that brooding grotesque house where they had grown up, and where Ryan still lived, that awful mausoleum of a place, that dubious tribute to her father’s wealth and position and his terrible power. She had always loathed that house with its dusky hallways and winding staircases and dolorous rooms stuffed to overflowing with expensive ugly antiques, all manner of bric-a-brac and undistinguished paintings. It was a masterpiece of ostentation, reeking of bad taste, new money and suffocating unhappiness. To Katharine it was also a house of deprivation. Oh, they had had expensive clothes and the best food and cars and servants, for their father was a millionaire many times over. But it was, to Katharine, still a deprived house, for there had been so little genuine love in it. She shuddered involuntarily. She had not set foot in that house for six years, and on the day she had left it she had vowed she would never darken its doors again.

Katharine’s thoughts rushed to her father, and although she consistently obliterated his image in her mind’s eye, today she did not even attempt to extinguish it. She saw him quite vividly, as if he stood before her, Patrick Michael Sean O’Rourke, with his handsome saturnine face and ebony-black hair, eyes as blue as sapphires and as hard as that stone they so closely resembled. He was a dreadful man, and she realized suddenly that she had always understood this, even when she had been a very small child. She had simply not known the words to properly describe him then. Today she had them at the tip of her tongue. He was exigent, rapacious and ruthless, a venal man who had made money his mistress and power his God. The world did not know Patrick Michael Sean O’Rourke as she knew him. He was a monumental anachronism: the charming, laughing, entertaining, silver-tongued Irishman in public, the stern, glowering and dictatorial tyrant in his own home. Katharine hated him. Just as he hated her. Gooseflesh speckled her arms and she pulled her robe closer around her. She recalled, with the most sharp and awful clarity, the day she had first recognized her father’s virulent hatred for her. It had been in August 1947. She had been twelve years old.

On that day, nearly nine years ago, Katharine had been her happiest in many months, this state engendered by her mother’s unexpected presence at lunch. Rosalie O’Rourke was feeling so much better she had decided to join her children at their noonday meal. Katharine had been singularly overjoyed to see her mother looking practically like her old self; and if Rosalie was not brimming with the vitality which had once been such an essential and natural part of her personality, she seemed lighthearted, almost carefree. Her eyes, widely set and a clear tourmaline green, sparkled with laughter, and her abundant red hair, crackling with life, was a burnished bronze helmet above her heart-shaped face, which was free of pain today, and had lost some of its waxen pallor. She was wearing a pale green silk-shantung dress with long sleeves and a full skirt, and its style disguised her thin body, so tragically wasted by illness. A choker of lustrous pearls encircled her neck, and there were matching pearl studs in her ears; her tapering fingers glittered with beautiful rings set with diamonds and emeralds.

Mrs O’Rourke had instructed Annie, the housekeeper, to serve luncheon in the breakfast room, one of the few cheerful spots in the dim and shadowy house, and which Rosalie herself had personally decorated. It had a lovely aura of airy lightness, was brushstroked throughout in a pretty mélange of crisp white and sharp lemon yellow, rafts of these refreshing colours appearing everywhere. It was furnished, in the main, with white wicker furniture, unusual handsome pieces from the Victorian era, and there were colourful prints of exotic birds and rare orchids on the walls and an abundance of tall green plants. Decorated in the same charming manner as Rosalie’s suite of rooms on the second floor, it was refined and gracious, yet without being at all stylized in appearance.

As she had sat gazing adoringly at her mother across the table, Katharine had thought how distinguished and elegant she looked, perfectly groomed and smelling faintly of lilies of the valley as she invariably did. To Katharine her mother was, and always would be, the epitome of beauty and feminine grace, and she idolized her. Katharine, at this moment, was filled with renewed hope for her mother, who seemed to be on the way to recovering from the mysterious illness which had afflicted her for the past two years, an illness no one really discussed, except in whispers.

Since it was a weekday, Patrick O’Rourke had not been present, and in consequence, the tension which generally accompanied their meals was fortunately missing. Ryan had chattered like a magpie, had kept them entertained, and they had laughed a lot and enjoyed themselves. Katharine had felt secure, basking in her mother’s love. It was a love given unstintingly and with all of Rosalie’s tender and caring heart.

Only one thing marred this joyful occasion for Katharine, and this was her mother’s poor appetite, and she had watched with growing dismay as Rosalie had picked at her food desultorily, leaving untouched most of the delicious and tempting dishes their housekeeper Annie had prepared. After lunch, Ryan had disappeared, intent on some boyish escapade. When her mother had asked Katharine to spend another hour with her, she had delightedly accepted. Nothing pleased the twelve-year-old girl more than to be alone with her mother in the cool secluded suite she occupied. Katharine loved the comfortable rooms with their pastel colour schemes and delicate fabrics, French Provincial furniture and lovely paintings, so unlike the rest of the house which bore her father’s vulgar stamp. The sitting room, in particular, was Katharine’s favourite, and most especially on cold days. Then the fire blazed and crackled in the hearth and they sat before its roaring flames in that special twilight hour, toasting their toes and chatting cosily about books and music and the theatre, or relaxing in silence, always in perfect harmony, for there was a deep understanding and abiding love between them. That afternoon they had seated themselves by the window overlooking Lake Michigan, not talking very much, content to be sharing this time. It had been a long while since they had had an opportunity to spend an afternoon with each other because of Rosalie’s precarious health.

At thirty-two Rosalie O’Rourke had made her peace with herself and her God, and this new-found tranquillity showed in her face, which, despite her illness, was still lovely. Today it had an ethereal quality lightly overshadowed by a faint wistfulness, and her eyes were soft and filled with the tenderest of lights as she sat gazing out over the lake, endeavouring to gather her strength. The lunch had vitiated her energies, but she did not wish this to show, wanted Katharine to be reassured about her condition. Rosalie had not experienced much joy in her life after her marriage, except through her children, mostly Katharine, whom she adored. She had quickly discovered she was no match for Patrick, with his rampant virility and quick Irish temper, his lust for life in all its aspects, and his hunger for money and power, which was insatiable. Her refinement and delicacy, her fragility and artistic nature had inevitably isolated her from her husband, and her gentle soul continually shrank from his blatant masculinity and voracious appetites. Despite her love for him, curiously undiminished, she had come to regret the union, recognizing the unsuitability of their temperaments. Few knew the real Patrick, for he was adept at concealment, cloaking his true nature behind an austere and dignified façade; and he was a past master at the art of dissimulation, adroit, and persuasive of tongue.