The Great Keinplatz Experiment and Other Tales of Twilight and the Unseen

The room beyond was a small one, hung all round with curtains which had pictures on them. It was the hunting of a deer that was painted on it, as I remember, and in the flicker of that light you'd have sworn that the dogs and the horses were streaming round the walls. The only other thing in the room was a row of cases made of walnut, with brass ornaments. They had glass tops, and beneath this glass I saw the long lines of those gold medals, some of them as big as a plate and half an inch thick, all resting upon red velvet and glowing and gleaming in the darkness. My fingers were just itching to be at them, and I slipped my knife under the lock of one of the cases to wrench it open.

"Wait a moment," said she, laying her hand upon my arm. "You might do better than this."

"I am very well satisfied, ma'am," said I, "and much obliged to your Ladyship for kind assistance."

"You can do better," she repeated. "Would not golden sovereigns be worth more to you than these things?"

"Why, yes," said I. "That's best of all."

"Well," said she. "He sleeps just above our head. It is but one short staircase. There is a tin box with money enough to fill this bag under his bed."

"How can I get it without waking him?"

"What matter if he does wake?" She looked very hard at me as she spoke. "You could keep him from calling out."

"No, no, ma'am, I'll have none of that."

"Just as you like," said she. "I thought that you were a stout-hearted sort of man by your appearance, but I see that I made a mistake. If you are afraid to run the risk of one old man, then of course you cannot have the gold which is under his bed. You are the best judge of your own business, but I should think that you would do better at some other trade."

"I'll not have murder on my conscience."

"You could overpower him without harming him. I never said anything about murder. The money lies under the bed. But if you are faint-hearted, it is better that you should not attempt it."

She worked upon me so, partly with her scorn and partly with this money that she held before my eyes, that I believe I should have yielded and taken my chances upstairs, had it not been that I saw her eyes following the struggle within me in such a crafty, malignant fashion, that it was evident she was bent upon making me the tool of her revenge, and that she would leave me no choice but to do the old man an injury or to be captured by him. She felt suddenly that she was giving herself away, and she changed her face to a kindly, friendly smile, but it was too late, for I had had my warning.

"I will not go upstairs," said I. "I have all I want here."

She looked her contempt at me, and there never was a face which could look it plainer.

"Very good. You can take these medals. I should be glad if you would begin at this end. I suppose they will all be the same value when melted down, but these are the ones which are the rarest, and therefore, the most precious to him. It is not necessary to break the locks. If you press that brass knob you will find that there is a secret spring. So! Take that small one first – it is the very apple of his eye."

She had opened one of the cases, and the beautiful things all lay exposed before me. I had my hand upon the one which she had pointed out, when suddenly a change came over her face, and she held up one finger as a warning. "Hist!" she whispered. "What is that?"

Far away in the silence of the house we heard a low, dragging, shuffling sound, and the distant tread of feet. She closed and fastened the case in an instant.

"It's my husband!" she whispered. "All right. Don't be alarmed. I'll arrange it. Here! Quick, behind the tapestry!"

She pushed me behind the painted curtains upon the wall, my empty leather bag still in my hand. Then she took her taper and walked quickly into the room from which we had come. From where I stood I could see her through the open door.

"Is that you, Robert?" she cried.

The light of a candle shone through the door of the museum, and the shuffling steps came nearer. Then I saw a face in the doorway, a great, heavy face, all lines and creases, with a huge curving nose, and a pair of gold glasses fixed across it. He had to throw his head back to see through the glasses, and that great nose thrust out in front of him like the beak of some sort of fowl. He was a big man, very tall and burly, so that in his loose dressing-gown his figure seemed to fill up the whole doorway. He had a pile of grey, curling hair all round his head, but his face was clean-shaven. His mouth was thin and small and prim, hidden away under his long, masterful nose. He stood there, holding the candle in front of him, and looking at his wife with a queer, malicious gleam in his eyes. It only needed that one look to tell me that he was as fond of her as she was of him.

"How's this?" he asked. "Some new tantrum? What do you mean by wandering about the house? Why don't you go to bed?"

"I could not sleep," she answered. She spoke languidly and wearily. If she was an actress once, she had not forgotten her calling.

"Might I suggest," said he, in the same mocking kind of voice, "that a good conscience is an excellent aid to sleep?"

"That cannot be true," she answered, "for you sleep very well."

"I have only one thing in my life to be ashamed of," said he, and his hair bristled up with anger until he looked like an old cockatoo. "You know best what that is. It is a mistake which has brought its own punishment with it."

"To me as well as to you. Remember that!"

"You have very little to whine about. It was I who stooped and you who rose."

"Rose!"

"Yes, rose. I suppose you do not deny that it is a promotion to exchange the music-hall for Mannering Hall. Fool that I was ever to take you out of your true sphere!"

"If you think so, why do you not separate?"

"Because private misery is better than public humiliation. Because it is easier to suffer for a mistake than to own to it. Because also I like to keep you in my sight, and to know that you cannot go back to him."

"You villain! You cowardly villain!"

"Yes, yes, my lady. I know your secret ambition, but it shall never be while I live, and if it happens after my death I will at least take care that you go to him as a beggar. You and dear Edward will never have the satisfaction of squandering my savings, and you may make up your mind to that, my lady. Why are those shutters and the window open?"

"I found the night very close."

"It is not safe. How do you know that some tramp may not be outside? Are you aware that my collection of medals is worth more than any similar collection in the world? You have left the door open also. What is there to prevent any one from rifling the cases?"

"I was here."

"I know you were. I heard you moving about in the medal room, and that was why I came down. What were you doing?"

"Looking at the medals. What else should I be doing?"

"This curiosity is something new." He looked suspiciously at her and moved on towards the inner room, she walking beside him.

It was at this moment that I saw something which startled. I had laid my clasp-knife open upon the top of one of the cases, and there it lay in full view. She saw it before he did, and with a woman's cunning she held her taper out so that the light of it came between Lord Mannering's eyes and the knife. Then she took it with her left hand and held it against her gown out of his sight. He looked about from case to case – I could have put my hand at one time upon his long nose – but there was nothing to show that the medals had been tampered with, and so, still snarling and grumbling, he shuffled off into the other room once more.

And now I have to speak of what I heard rather than of what I saw, but I swear to you, as I shall stand some day before my Maker, that what I say is the truth.

When they passed into the outer room I saw him lay his candle upon the corner of one of the tables, and he sat himself down, but in such a position that he was just out of my sight. She moved behind him, as I could tell from the fact that the light of her taper threw his long, lumpy shadow upon the floor in front of him. Then he began talking about this man whom he called Edward, and every word that he said was like a blistering drop of vitriol. He spoke low, so that I could not hear it all, but from what I heard I should guess that she would as soon have been lashed with a whip. At first she said some hot words in reply, but then she was silent, and he went on and on in that cold, mocking voice of his, nagging and insulting and tormenting, until I wondered that she could bear to stand there in silence and listen to it. Then suddenly I heard him say in a sharp voice, "Come from behind me! Leave go of my collar! What! would you dare to strike me?" There was a sound like a blow, just a soft sort of thud, and then I heard him cry out, "My God, it's blood!" He shuffled with his feet as if he was getting up, and then I heard another blow, and he cried out, "Oh, you she-devil!" and was quiet, except for a dripping and splashing upon the floor.

I ran out from behind my curtain at that, and rushed into the other room, shaking all over with the horror of it. The old man had slipped down in the chair, and his dressing-gown had rucked up until he looked as if he had a monstrous hump to his back. His head, with the gold glasses still fixed on his nose, was lolling over upon one side, and his little mouth was open just like a dead fish. I could not see where the blood was coming from, but I could still hear it drumming upon the floor. She stood behind him with the candle shining full upon her face. Her lips were pressed together and her eyes shining, and a touch of colour had come into each of her cheeks. It just wanted that to make her the most beautiful woman I had ever seen in my life.