The Mystery of the Hasty Arrow

"Clear the galleries. Then take down the name and address of every person in the building."

"Yes, sir."

Before the last word had left his lips, the busy fellow was halfway up the marble steps. "Lightning," some of his pals called him, perhaps because he was as noiseless as he was quick. Meanwhile the senior detective had drawn the Curator to one side.

"We'll take a look at these people as they come down. I have been said to be able to spot a witness with my eyes shut. Let's see what I can do with my eyes open."

"Young and old, rich and poor," murmured the Curator as some dozen persons appeared at the top of the staircase.

"Yes," sighed the detective, noting each one carefully as he or she filed down, "we sha'n't make much out of this experiment. Not one of them avoids our looks. Emotion enough, but not of the right sort. Well, we'll leave them to Sweetwater. Our business is above."

The Curator offered his arm. The old man made a move to take it—then drew himself up with an air of quiet confidence.

"Many thanks," said he, "but I can go alone. Rheumatism is my trouble, but these mild days loosen its grip upon my poor old muscles." He did not say that the prospect of an interesting inquiry had much the same effect, but the Curator suspected it, possibly because he was feeling just a little bit spry himself.

Steeled as such experienced officers necessarily are to death in all its phases, it was with no common emotion that the aged detective entered the presence of the dead girl and took his first look at this latest victim of mental or moral aberration. So young! so innocent! so fair! A schoolgirl, or little more, of a class certainly above the average, whether judged from the contour of her features or the niceties of her dress. With no evidences of great wealth about her, there was yet something in the cut of her garments and the careful attention to each detail which bespoke not only natural but cultivated taste. On her breast just above the spot where the cruel dart had entered, a fresh and blooming nosegay still exhaled its perfume—a tragic detail accentuating the pathos of a death so sudden that the joy with which she had pinned on this simple adornment seemed to linger about her yet.

The detective, with no words for this touching spectacle, stretched out his hand and with a reverent and fatherly touch pressed down the lids over the unseeing eyes. This office done to the innocent dead, he asked if anything had been found to establish the young girl's identity.

"Surely," he observed, "she was not without a purse or handbag. All young ladies carry them."

For answer the officer on guard thrust his hand into one of his capacious pockets, and drawing out a neat little bag of knitted beads, passed it over to the detective with the laconic remark:

"Nothing doing."

And so it proved. It held only a pocket handkerchief—embroidered but without a monogram—and a memorandum-book without an entry.

"A blind alley, if ever there was one," muttered Mr. Gryce; and ordering the policeman to replace the bag as nearly as possible on the spot from which it had been taken, he proceeded with the Curator to Room B.

Prepared to encounter a woman of disordered mind, the appearance presented by Mrs. Taylor at his entrance greatly astonished Mr. Gryce. There was a calmness in her attitude which one would scarcely expect to see in a woman whom mania had just driven into crime. Surely lunacy does not show such self-restraint; nor does lunacy awaken any such feelings of awe as followed a prolonged scrutiny of her set but determined features. Only grief of the most intense and sacred character could account for the aspect she presented, and as the man to whom the tragedies of life were of daily occurrence took in this mystery with all its incongruities, he realized, not without a sense of professional pleasure, no doubt, that he had before him an affair calling for the old-time judgment which, for forty or more years, had made his record famous in the police annals of the metropolis.

She was seated with no one near her but a young lady whom sympathetic interest had drawn to her side. Mr. Roberts stood in one of the windows, and not far from him a man in the museum uniform.

At the authoritative advance of the old detective, the woman, whose eye he had caught, attempted to struggle to her feet, but desisted after a moment of hopeless effort, and sank back in her chair. There was no pretense in this. Though gifted with a strong frame, emotion had so weakened her that she was simply unable to stand. Quite convinced of this, and affected in spite of himself by her look of lofty patience, Mr. Gryce prefaced his questions with an apology—quite an unusual proceeding for him.

Whether or no she heard it, he could not tell; but she was quite ready to answer when he asked her name and then her place of residence—saying in response to the latter query:

"I live at the Calderon, a family hotel in Sixty-seventh Street. My name"—here she paused for a second to moisten her lips—"is Taylor—Ermentrude Taylor.... Nothing else," she speedily added in a tone which drew every eye her way. Then more evenly: "You will find the name on the hotel's books."

"Wife or widow?"

"Widow."

What a voice! how it reached every heart, waking strange sympathies there! As the word fell, not a person in the room but stirred uneasily. Even she herself started at its sound; and moved, perhaps, by the depth of silence which followed, she added in suppressed tones:

"A widow within the hour. That's why you see me still in colors, but crushed as you behold—killed! killed!"

That settled it. There was no mistaking her condition after an expression of this kind. The Curator and Mr. Gryce exchanged glances, and Mr. Roberts, stepping from his corner, betrayed the effect which her words had produced on him, by whispering in the detective's ear:

"What you need is an alienist."

Had she heard? It would seem so from the quick way she roused and exclaimed with indignant emphasis:

"You do not understand me! I see that I must drink my bitter cup to the dregs. This is what I mean: My husband was living this morning—living up to the hour when the clock in this building struck twelve. I knew it from the joyous hopes with which my breast was filled. But with the stroke of noon the blow fell. I was bending above the poor child who had fallen so suddenly at my feet, when the vision came, and I saw him gazing at me from a distance so remote—across a desert so immeasurable—that nothing but death could create such a removal or make of him the ghastly silhouette I saw. He is dead. At that moment I felt his soul pass; and so I say that I am a widow."

Ravings? No, the calm certainty of her tone, the grief, touching depths so profound it had no need of words, showed the confidence she felt in the warning she believed herself to have received. Though probably not a single person present put any faith in occultism in any of its forms, there was a general movement of sympathy which led Mr. Gryce to pass the matter by without any attempt at controversy, and return to the question in hand. With a decided modification of manner, he therefore asked her to relate how she came to be kneeling over the injured girl with her hand upon the arrow.

"Let me have a moment in which to recover myself," she prayed, covering her eyes with her hand. Then, while all waited, she gave a low cry, "I suffer; I suffer!" and leaped to her feet, only to sink back again inert and powerless. But only for an instant: with that one burst of extreme feeling she recovered her self-control, answering with apparent calmness the detective's question:

"I was passing through the gallery as any other visitor might, when a young lady rushed by me—stopped short—threw up her arms and fell backward to the floor, pierced to the heart by an arrow. In a moment I was on my knees at her side with hand outstretched to withdraw this dreadful arrow. But I was afraid—I had heard that this sometimes causes death, and while I was hesitating, that vision came, engulfing everything. I could think of nothing else."

She was near collapsing again; but being a woman of great nerve, she fought her weakness and waited patiently for the next question. It was different, without doubt, from any she had expected.

"Then you positively deny any active connection with the strange death of this young girl?"

A pause, as if to take in what he meant. Then slowly, impressively, came the answer:

"I do."

"Did you see the person who shot the arrow?"

"No."

"From what direction would it have had to come to strike her as it did?"

"From the opposite balcony."

"Did you see anyone there?"

"No."

"But you heard the arrow?"

"Heard?"

"An arrow shot from a bow makes a whizzing sound as it flies. Didn't you hear that?"

"I don't know." She looked troubled and uncertain. "I don't remember. I was expecting no such thing—I was not prepared. The sight of an arrow—a killing arrow—in that innocent breast overcame me with inexpressible grief and horror. If the vision of my husband had not followed, I might remember more. As it is, I have told all I can. Won't you excuse me? I should like to go. I am not fit to remain. I want to return home—to hear from my husband—to learn by letter or telegram whether he is indeed dead."

Mr. Gryce had let her finish. An inquiry so unofficial might easily await the moods of such a witness. Not till the last word had been followed by what some there afterward called a hungry silence, did he make use of his prerogative to say:

"I shall be pleased to release you and will do so just as soon as I can. But I must put one or two more questions. Were you interested in the Indian relics you had come among? Did you handle any of them in passing?"

"No. I had no interest. I like glass, bronzes, china—I hate weapons. I shall hate them eternally after this." And she began to shudder.

The detective, with a quick bend of his head, approached her ear with the whispered remark:

"I am told that when your attention was drawn to these weapons, you fell on your knees and murmured something into the dead girl's ears. How do you explain that?"