Flute and Violin and other Kentucky Tales and Romances

"Come in, parson. I've got a present for you."

"A – present – for —me?" repeated the parson, blank with amazement. In his life the little music-dealer had never made him a present.

"Yes, a present," repeated the fortunate vestry-man, whose dry heart, like a small seed-pod, the wind of good-fortune had opened, so that a few rattling germs of generosity dropped out. Opening a drawer behind his counter, he now took out a roll of music. "Here's some new music for your flute," he said. "Accept it with my compliments."

New music for his flute! The parson turned it over dreamily, and it seemed that the last element of disorder had come to derange his faculties.

"And Mrs. Leuba sends her compliments, and would like to have you to dinner," added the shopkeeper, looking across the counter with some amusement at the expression of the parson, who now appeared as much shocked as though his whole nervous system had been suddenly put in connection with a galvanic battery of politeness.

It was a very gay dinner, having been gotten up to celebrate the drawing of the prize. The entire company were to go in the afternoon to see the waxworks, and some of the ladies wore especial toilets, with a view to having their profiles taken.

"Have you been to see the waxworks, Mr. Moore?" inquired a spinster roguishly, wiping a drop of soup from her underlip.

The unusual dinner, the merriment, the sense of many ladies present, mellowed the parson like old wine.

"No, madam," he replied, giddily; "but I shall go this very afternoon. I find it impossible any longer to deny myself the pleasure of beholding the great American Coquette and the Sleeping Beauty. I must take my black sheep," he continued, with expanding warmth. "I must drive my entire flock of soiled lambs into the favored and refining presence of Miss Julia Granby."

Keeping to this resolution, as soon as dinner was over he made his excuses to the company, and set off to collect a certain class of boys which he had scraped together by hook and crook from the by-ways of the town, and about an hour later he might have been seen driving them before him towards the entrance of the museum. There he shouldered his way cheerfully up to the door, and shoved each of the lads good-naturedly in, finally passing in himself, with a general glance at the by-standers, as if to say, "Was there ever another man as happy in this world?"

But he soon came out, leaving his wild lambs to browse at will in those fresh pastures, and took his way up street homeward. He seemed to be under some necessity of shaking them off in order to enjoy the solitude of his thoughts.

"If she does it again!.. If she does it again!.. Whee! whee! whee! – whee! whee! whee!" and he began to whistle for his flute with a nameless longing.

It was soon after this that the two women heard him playing the reel, and watched him perform certain later incredible evolutions. For whether one event, or all events combined, had betrayed him into this outbreak, henceforth he was quite beside himself.

Is it possible that on this day the Reverend James Moore had driven the ancient, rusty, creaky chariot of his faculties too near the sun of love?

VII

A sad day it had been meantime for the poor lad.

He had gotten up in the morning listless and dull and sick at the sight of his breakfast. But he had feigned to be quite well that he might have permission to set off down-town. There was no chance of his being able to get into the museum, but he was drawn irresistibly thither for the mere pleasure of standing around and watching the people, and hoping that something —something would turn up. He was still there when his dinner-hour came, but he never thought of this. Once, when the door-keeper was at leisure, he had hobbled up and said to him, with a desperate effort to smile, "Sir, if I were rich, I'd live in your museum for about five years."

But the door-keeper had pushed him rudely back, telling him to be off and not obstruct the sidewalk.

He was still standing near the entrance when the parson came down the street driving his flock of boys. Ah, if he had only joined that class, as time after time he had been asked to do! All at once his face lit up with a fortunate inspiration, and pushing his way to the very side of the door-keeper, he placed himself there that the parson might see him and take him with the others; for had he not said that he must be sure to go? But when the parson came up, this purpose had failed him, and he had apparently shrunk to half his size behind the bulk of the door-keeper, fearing most of all things that the parson would discover him and know why he was there.

He was still lingering outside when the parson reappeared and started homeward; and he sat down and watched him out of sight. He seemed cruelly hurt, and his eyes filled with tears.

"I'd have taken him in the very first one," he said, choking down a sob; and then, as if he felt this to be unjust, he murmured over and over: "Maybe he forgot me; maybe he didn't mean it; maybe he forgot me."

Perhaps an hour later, slowly and with many pauses, he drew near the door of the parson's home. There he lifted his hand three times before he could knock.

"The parson's not at home," the widow Spurlock had called sharply down to him.

With this the last hope had died out of his bosom; for having dwelt long on the parson's kindness to him – upon all the parson's tireless efforts to befriend him – he had summoned the courage at last to go and ask him to lend him a quarter.

With little thought of whither he went, he now turned back down-town, but some time later he was still standing at the entrance of the museum.

He looked up the street again. All the Leubas were coming, Tom walking, with a very haughty air, a few feet ahead.

"Why don't you go in?" he said, loudly, walking up to David and jingling the silver in his pockets. "What are you standing out here for? If you want to go in, why don't you go in?"

"Oh, Tom!" cried David, in a whisper of eager confidence, his utterance choked with a sob, "I haven't got any money."

"I'd hate to be as poor as you are," said Tom, contemptuously. "I'm going this evening, and to-night, and as often as I want," and he turned gayly away to join the others.

He was left alone again, and his cup of bitterness, which had been filling drop by drop, now ran over.

Several groups came up just at that moment. There was a pressure and a jostling of the throng. As Mr. Leuba, who had made his way up to the door-keeper, drew a handful of silver from his pocket, some one accidentally struck his elbow, and several pieces fell to the pavement. Then there was laughter and a scrambling as these were picked up and returned. But out through the legs of the crowd one bright silver quarter rolled unseen down the sloping sidewalk towards the spot where David was standing.

It was all done in an instant. He saw it coming; the little crutch was set forward a pace, the little body was swung silently forward, and as the quarter fell over on its shining side, the dirty sole of a brown foot covered it.

The next minute, with a sense of triumph and bounding joy, the poverty-tortured, friendless little thief had crossed the threshold of the museum, and stood face to face with the Redeemer of the world; for the picture was so hung as to catch the eye upon entering, and it arrested his quick, roving glance and held it in awe-stricken fascination. Unconscious of his own movements, he drew nearer and nearer, until he stood a few feet in front of the arc of spectators, with his breathing all but suspended, and one hand crushing the old blue cloth cap against his naked bosom.

It was a strange meeting. The large rude painting possessed no claim to art. But to him it was an overwhelming revelation, for he had never seen any pictures, and he was gifted with an untutored love of painting. Over him, therefore, it exercised an inthralling influence, and it was as though he stood in the visible presence of One whom he knew that the parson preached of and his mother worshipped.

Forgetful of his surroundings, long he stood and gazed. Whether it may have been the thought of the stolen quarter that brought him to himself, at length he drew a deep breath, and looked quickly around with a frightened air. From across the room he saw Mr. Leuba watching him gravely, as it seemed to his guilty conscience, with fearful sternness. A burning flush dyed his face, and he shrank back, concealing himself among the crowd. The next moment, without ever having seen or so much as thought of anything else in the museum, he slipped out into the street.

There the eyes of everybody seemed turned upon him. Where should he go? Not home. Not to Mr. Leuba's music-store. No; he could never look into Mr. Leuba's face again. And Tom? He could hear Tom crying out, wherever he should meet him, "You stole a quarter from father."

In utter terror and shame, he hurried away out to the southern end of the town, where there was an abandoned rope-walk.

It was a neglected place, damp and unhealthy. In the farthest corner of it he lay down and hid himself in a clump of iron-weeds. Slowly the moments dragged themselves along. Of what was he thinking? Of his mother? Of the parson? Of the violin that would now never be his? Of that wonderful sorrowful face which he had seen in the painting? The few noises of the little town grew very faint, the droning of the bumblebee on the purple tufts of the weed overhead very loud, and louder still the beating of his heart against the green grass as he lay on his side, with his head on his blue cap and his cheek in his hand. And then he fell asleep.

When he awoke he started up bewildered. The sun had set, and the heavy dews of twilight were falling. A chill ran through him; and then the recollection of what had happened came over him with a feeling of desolation. When it was quite dark he left his hiding-place and started back up-town.

He could reach home in several ways, but a certain fear drew him into the street which led past the music-store. If he could only see Mr. Leuba, he felt sure that he could tell by the expression of his face whether he had missed the quarter. At some distance off he saw by the light of the windows Mr. Leuba standing in front of his shop talking to a group of men. Noiselessly he drew near, noiselessly he was passing without the courage to look up.

"Stop, David. Come in here a moment. I want to talk to you."

As Mr. Leuba spoke, he apologized to the gentlemen for leaving, and turned back into the rear of the shop. Faint, and trembling so that he could scarcely stand, his face of a deadly whiteness, the boy followed.

"David," said Mr. Leuba – in his whole life he had never spoken so kindly; perhaps his heart had been touched by some belated feeling, as he had studied the boy's face before the picture in the museum, and certainly it had been singularly opened by his good-fortune – "David," he said, "I promised when I got rich enough I'd give Tom a new violin, and give you his old one. Well, I gave him a new one to-day; so here's yours," and going to a corner of the room, he took up the box, brought it back, and would have laid it on the boy's arm, only there was no arm extended to receive it.

"Take it! It's yours!"

"Oh, Mr. Leuba!"

It was all he could say. He had expected to be charged with stealing the quarter, and instead there was held out to him the one treasure in the world – the violin of which he had dreamed so long, for which he had served so faithfully.

"Oh, Mr. Leuba!"

There was a pitiful note in the cry, but the dealer was not the man to hear it, or to notice the look of angelic contrition on the upturned face. He merely took the lad's arm, bent it around the violin, patted the ragged cap, and said, a little impatiently:

"Come, come! they're waiting for me at the door. To-morrow you can come down and run some more errands for me," and he led the way to the front of the shop and resumed his conversation.

Slowly along the dark street the lad toiled homeward with his treasure. At any other time he would have sat down on the first curb-stone, opened the box, and in ecstatic joy have lifted out that peerless instrument; or he would have sped home with it to his mother, flying along on his one crutch as if on the winds of heaven. But now he could not look at it, and something clogged his gait so that he loitered and faltered and sometimes stood still irresolute.