Flute and Violin and other Kentucky Tales and Romances

The Mother Superior stretched her hands out over the head on her knees as some great, fierce, old, gray eagle, scarred and strong with the storms of life, might make a movement to shield its imperilled young. The tone in which Sister Dolorosa had spoken startled her as the discovered edge of a precipice. It was so quiet, so abrupt, so terrifying with its suggestion of an abyss. For a moment she prayed silently and intensely.

"Heaven mercifully shield you from harm!" she then said, in an awe-stricken whisper. "But, timid lamb, what harm can come to you?"

Sister Dolorosa suddenly rose and stood before the Mother Superior.

"I mean," she said, with her eyes on the floor and her voice scarcely audible – "I mean – if I should ever fail, would you cast me out?"

"My child! – Sister! – Sister Dolorosa! – Cast you out!"

The Mother Superior started up and folded her arms about the slight, dark figure, which at once seemed to be standing aloof with infinite loneliness. For some time she sought to overcome this difficult, singular mood.

"And now, my daughter," she murmured at last, "go to sleep and forget these foolish fears. I am near you!" There seemed to be a fortress of sacred protection and defiance in these words; but the next instant her head was bowed, her upward-pointing finger raised in the air, and in a tone of humble self-correction she added: "Nay, not I; the Sleepless guards you! Good-night."

Sister Dolorosa lifted her head from the strong shoulder and turned her eyes, now luminous, upon the troubled face.

"Forgive me, Mother!" she said, in a voice of scornful resolution. "Never – never again will I disturb you with such weakness as I have shown to-night. I know that no evil can befall me! Forgive me, Mother. Good-night."

While she sleeps learn her history. Pauline Cambron was descended from one of those sixty Catholic families of Maryland that formed a league in 1785 for the purpose of emigrating to Kentucky without the rending of social ties or separation from the rites of their ancestral faith. Since then the Kentucky branch of the Cambrons has always maintained friendly relations with the Maryland branch, which is now represented by one of the wealthy and cultivated families of Baltimore. On one side the descent is French; and, as far back as this can be traced, there runs a tradition that some of the most beautiful of its women became barefoot Carmelite nuns in the various monasteries of France or on some storm-swept island of the Mediterranean Sea.

The first of the Kentucky Cambrons settled in that part of the State in which nearly a hundred years later lived the last generation of them – the parents of Pauline. Of these she was the only child, so that upon her marriage depended the perpetuation of the Kentucky family. It gives to the Protestant mind a startling insight into the possibilities of a woman's life and destiny in Kentucky to learn the nature of the literature by which her sensitive and imaginative character was from the first impressed. This literature covers a field wholly unknown to the ordinary student of Kentucky history. It is not to be found in well-known works, but in the letters, reminiscences, and lives of foreign priests, and in the kindling and heroic accounts of the establishment of Catholic missions. It abounds in such stories as those of a black friar fatally thrown from a wild horse in the pathless wilderness; of a gray friar torn to pieces by a saw-mill; of a starving white friar stretched out to die under the green canopy of an oak; of priests swimming half-frozen rivers with the sacred vestments in their teeth; of priests hewing logs for a hut in which to celebrate the mass; of priests crossing and recrossing the Atlantic and traversing Italy and Belgium and France for money and pictures and books; of devoted women laying the foundation of powerful convents in half-ruined log-cabins, shivering on beds of straw sprinkled on the ground, driven by poverty to search in the wild woods for dyes with which to give to their motley worldly apparel the hue of the cloister, and dying at last, to be laid away in pitiless burial without coffin or shroud.

Such incidents were to her the more impressive since happening in part in the region where lay the Cambron estate; and while very young she was herself repeatedly taken to visit the scenes of early religious tragedies. Often, too, around the fireside there was proud reference to the convent life of old France and to the saintly zeal of the Carmelites; and once she went with her parents to Baltimore and witnessed the taking of the veil by a cousin of hers – a scene that afterwards burned before her conscience as a lamp before a shrine.

Is it strange if under such influences, living in a country place with few associates, reading in her father's library books that were to be had on the legends of the monastic orders and the lives of the saints – is it strange if to the young Pauline Cambron this world before long seemed little else than the battle-field of the Church, the ideal man in it a monk, the ideal woman a nun, the human heart a solemn sacrifice to Heaven, and human life a vast, sad pilgrimage to the shrine eternal?

Among the places which had always appealed to her imagination as one of the heroic sites of Kentucky history was the Convent of the Stricken Heart, not far away. Whenever she came hither she seemed to be treading on sacred ground. Happening to visit it one summer day before her education was completed, she asked to be sent hither for the years that remained. When these were past, here, with the difficult consent of her parents, who saw thus perish the last hope of the perpetuation of the family, she took the white veil. Here at last she hid herself beneath the black. Her whole character at this stage of its unfolding may be understood from the name she assumed – Sister Dolorosa. With this name she wished not merely to extinguish her worldly personality, but to clothe herself with a life-long expression of her sympathy with the sorrows of the world. By this act she believed that she would attain a change of nature so complete that the black veil of Sister Dolorosa would cover as in a funeral urn the ashes which had once been the heart of Pauline Cambron. And thus her conventual life began.

But for those beings to whom the span on the summer-evening cloud is as nothing compared with that fond arch of beauty which it is a necessity of their nature to hang as a bow of promise above every beloved hope – for such dreamers the sadness of life lies in the dissipation of mystery and the disillusion of truth. When she had been a member of the order long enough to see things as they were, Sister Dolorosa found herself living in a large, plain, comfortable brick convent, situated in a retired and homely region of Southern Kentucky. Around her were plain nuns with the invincible contrariety of feminine temperament. Before her were plain duties. Built up around her were plain restrictions. She had rushed with out-stretched arms towards poetic mysteries, and clasped prosaic reality.

As soon as the lambent flame of her spirit had burned over this new life, as a fire before a strong wind rushes across a plain, she one day surveyed it with that sense of reality which sometimes visits the imaginative with such appalling vividness. Was it upon this dreary waste that her soul was to play out its drama of ideal womanhood?

She answered the question in the only way possible to such a nature as hers. She divided her life in twain. Half, with perfect loyalty, she gave out to duty; the other, with equal loyalty, she stifled within. But perhaps this is no uncommon lot – this unmating of the forces of the mind, as though one of two singing-birds should be released to fly forth under the sky, while the other – the nobler singer – is kept voiceless in a darkened chamber.

But the Sisters of the Stricken Heart are not cloistered nuns. Their chief vow is to go forth into the world to teach. Scarcely had Sister Dolorosa been intrusted with work of this kind before she conceived an aspiration to become a great teacher of history or literature, and obtained permission to spend extra hours in the convent library on a wider range of sacred reading. Here began a second era in her life. Books became the avenues along which she escaped from her present into an illimitable world. Her imagination, beginning to pine, now took wing and soared back to the remote, the splendid, the imperial, the august. Her sympathies, finding nothing around her to fix upon, were borne afar like winged seed and rooted on the colossal ruins of the centuries. Her passion for beauty fed on holy art. She lived at the full flood of life again.

If in time revulsion came, she would live a shy, exquisite, hidden life of poetry in which she herself played the historic roles. Now she would become a powerful abbess of old, ruling over a hundred nuns in an impregnable cloister. To the gates, stretched on a litter, wounded to death, they bore a young knight of the Cross. She had the gates opened. She went forth and bent over him; heard his dying message; at his request drew the plighted ring from his finger to send to another land. How beautiful he was! How many masses – how many, many masses – had she not ordered for the peace of his soul! Now she was St. Agatha, tortured by the proconsul; now she lay faint and cold in an underground cell, and was visited by Thomas à Kempis, who read to her long passages from the Imitation. Or she would tire of the past, and making herself an actor in her own future, in a brief hour live out the fancied drama of all her crowded years.

But whatever part she took in this dream existence and beautiful passion-play of the soul, nothing attracted her but the perfect. For the commonplace she felt a guileless scorn.

Thus for some time these unmated lives went on – the fixed outward life of duty, and the ever-wandering inner life of love. In mid-winter, walking across the shining fields, you have come to some little frost-locked stream. How mute and motionless! You set foot upon it, the ice is broken, and beneath is musical running water. Thus under the chaste, rigid numbness of convent existence the heart of Sister Dolorosa murmured unheard and hurried away unseen to plains made warm and green by her imagination. But the old may survive upon memories; the young cannot thrive upon hope. Love, long reaching outward in vain, returns to the heart as self-pity. Sympathies, if not supported by close realities, fall in upon themselves like the walls of a ruined house. At last, therefore, even the hidden life of Sister Dolorosa grew weary of the future and the past, and came home to the present.

The ardor of her studies and the rigor of her duties combined – but more than either that wearing away of the body by a restless mind – had begun to affect her health. Both were relaxed, and she was required to spend as much time as possible in the garden of the convent It was like lifting a child that has become worn out with artificial playthings to an open window to see the flowers. With inexpressible relief she turned from mediæval books to living nature; and her beautiful imagination, that last of all faculties to fail a human being in an unhappy lot, now began to bind nature to her with fellowships which quieted the need of human association. She had long been used to feign correspondences with the fathers of the Church; she now established intimacies with dumb companions, and poured out her heart to them in confidence.

The distant woods slowly clothing themselves in green; the faint perfume of the wild rose, running riot over some rotting fence; the majestical clouds about the sunset; the moon dying in the spectral skies; the silken rustling of doves' wings parting the soft foliage of the sentinel elms; landscapes of frost on her window-pane; crumbs in winter for the sparrows on the sill; violets under the leaves in the convent garden; myrtle on the graves of the nuns – such objects as these became the means by which her imprisoned life was released. On the sensuous beauty of the world she spent the chaste ravishments of her virginal heart. Her love descended on all things as in the night the dew fills and bends down the cups of the flowers.

A few of these confidences – written on slips of paper, and no sooner written than cast aside – are given here. They are addressed severally to a white violet, an English sparrow, and a butterfly.

"I have taken the black veil, but thou wearest the white, and thou dwellest in dim cloisters of green leaves – in the domed and many-pillared little shrines that line the dusty road-side, or seem more fitly built in the depths of holy woodlands. How often have I drawn near with timid steps, and, opening the doors of thy tiny oratories, found thee bending at thy silent prayers – bending so low that thy lips touched the earth, while the slow wind rang thine Angelus! Wast thou blooming anywhere near when He came into the wood of the thorn and the olive? Didst thou press thy cool face against his bruised feet? Had I been thou, I would have bloomed at the foot of the cross, and fed his failing lungs with my last breath. Time never destroys thee, little Sister, or stains thy whiteness; and thou wilt be bending at thy prayers among the green graves on the twilight hill-side ages after I who lie below have finished mine. Pray for me then, pray for thine erring sister, thou pure-souled violet!"

"How cold thou art! Shall I take thee in and warm thee on my bosom? Ah, no! For I know who thou art! Not a bird, but a little brown mendicant friar, begging barefoot in the snow. And thou livest in a cell under the convent eaves opposite my window. What ugly feet thou hast, little Father! And the thorns are on thy toes instead of about thy brow. That is a bad sign for a saint. I saw thee in a brawl the other day with a mendicant brother of thine order, and thou drovest him from roof to roof and from icy twig to twig, screaming and wrangling in a way to bring reproach upon the Church. Thou shouldst learn to defend a thesis more gently. Who is it that visits thy cell so often? A penitent to confess? And dost thou shrive her freely? I'd never confess to thee, thou cross little Father! Thou'dst have no mercy on me if I sinned, as sin I must since human I am. The good God is very good to thee that he keeps thee from sinning while he leaves me to do wrong. Ah, if it were but natural for me to be perfect! But that, little Father, is my idea of heaven. In heaven it will be natural for me to be perfect. I'll feed thee no longer than the winter lasts, for then thou'lt be a monk no longer, but a bird again. And canst thou tell me why? Because, when the winter is gone, thou'lt find a mate, and wert thou a monk thou'dst have none. For thou knowest perfectly well, little Father, that monks do not wed."

"No fitting emblem of my soul art thou, fragile Psyche, mute and perishable lover of the gorgeous earth. For my soul has no summer, and there is no earthly object of beauty that it may fly to and rest upon as thou upon the beckoning buds. It is winter where I live. All things are cold and white, and my soul flies only above fresh fields of flowerless snow. But no blast can chill its wings, no mire bedraggle, or rude touch fray. I often wonder whether thou art mute, or the divine framework of winged melodies. Thy very wings are shaped like harps for the winds to play upon. So, too, my soul is silent never, though none can hear its music. Dost thou know that I am held in exile in this world that I inhabit? And dost thou know the flower that I fly ever towards and cannot reach? It is the white flower of eternal perfection that blooms and waits for the soul in Paradise. Upon that flower I shall some day rest my wings as thou foldest thine on a faultless rose."

Harmonizing with this growing passion for the beauty of the world – a passion that marked her approach to riper womanhood – was the care she took of her person. The coarse, flowing habit of the order gave no hint of the curves and symmetry of the snow-white figure throbbing with eager life within; but it could not conceal an air of refinement and movements of the most delicate grace. There was likewise a suggestion of artistic study in the arrangement of her veil, and the sacred symbol on her bosom was embroidered with touches of elaboration.

It was when she had grown weary of books, of the imaginary drama of her life, and the loveliness of Nature, that Sister Dolorosa was sent by the Mother Superior on those visits of sympathy to old Martha Cross; and it was during her return from one of them that there befell her that adventure which she had deemed too slight to mention.

III

Her outward history was that night made known to Gordon Helm by old Martha Cross. When Sister Dolorosa passed him he followed her at a distance until she entered the convent gates. It caused him subtle pain to think what harm might be lurking to insnare her innocence. But subtler pain shot through him as he turned away, leaving her housed within that inaccessible fold.

Who was she, and from what mission returning alone at such an hour across those darkening fields? He had just come to the edge of the corn and started to follow up the path in quest of shelter for the night, when he had caught sight of her on the near hill-top, outlined with startling distinctness against the jasper sky and bathed in a tremulous sea of lovely light. He had held his breath as she advanced towards him. He had watched the play of emotions in her face as she paused a few yards off, and her surprise at the discovery of him – the timid start; the rounding of the fawn-like eyes; the vermeil tint overspreading the transparent purity of her skin: her whole nature disturbed like a wind-shaken anemone. All this he now remembered as he returned along the foot-path. It brought him to the door of the farm-house, where he arranged to pass the night.

"You are a stranger in this part of the country," said the old housewife an hour later.

When he came in she had excused herself from rising from her chair by the chimney-side; but from that moment her eyes had followed him – those eyes of the old which follow the forms of the young with such despairing memories. By the chimney-side sat old Ezra, powerful, stupid, tired, silently smoking, and taking little notice of the others. Hardly a chill was in the air, but for her sake a log blazed in the cavernous fireplace and threw its flickering light over the guest who sat in front.

He possessed unusual physical beauty – of the type sometimes found in the men of those Kentucky families that have descended with little admixture from English stock; body and limbs less than athletic, but formed for strength and symmetry; hair brown, thick, and slightly curling over the forehead and above the ears; complexion blond, but mellowed into rich tints from sun and open air; eyes of dark gray-blue, beneath brows low and firm; a mustache golden-brown, thick, and curling above lips red and sensuous; a neck round and full, and bearing aloft a head well poised and moulded. The irresistible effect of his appearance was an impression of simple joyousness in life. There seemed to be stored up in him the warmth of the sunshine of his land; the gentleness of its fields; the kindness of its landscapes. And he was young – so young! To study him was to see that he was ripe to throw himself heedless into tragedy; and that for him, not once but nightly, Endymion fell asleep to be kissed in his dreams by encircling love.

"You are a stranger in this part of the country," said the old housewife, observing the elegance of his hunting-dress and his manner of high breeding.

"Yes; I have never been in this part of Kentucky before." He paused; but seeing that some account of himself was silently waited for, and as though wishing at once to despatch the subject, he added: "I am from the blue-grass region, about a hundred miles northward of here. A party of us were on our way farther south to hunt. On the train we fell in with a gentleman who told us he thought there were a good many birds around here, and I was chosen to stop over to ascertain. We might like to try this neighborhood as we return, so I left my things at the station and struck out across the country this afternoon. I have heard birds in several directions, but had no dog. However, I shot a few doves in a cornfield."

"There are plenty of birds close around here, but most of them stay on the land that is owned by the Sisters, and they don't like to have it hunted over. All the land between here and the convent belongs to them except the little that's mine." This was said somewhat dryly by the old man, who knocked the ashes off his pipe without looking up.

"I am sorry to have trespassed; but I was not expecting to find a convent out in the country, although I believe I have heard that there is an abbey of Trappist monks somewhere down here."

"Yes; the abbey is not far from here."

"It seems strange to me. I can hardly believe I am in Kentucky," he said, musingly, and a solemn look came over his face as his thoughts went back to the sunset scene.

The old housewife's keen eyes pierced to his secret mood.

"You ought to go there."

"Do they receive visitors at the convent?" he asked, quickly.

"Certainly; the Sisters are very glad to have strangers visit the place. It's a pity you hadn't come sooner. One of the Sisters was here this afternoon, and you might have spoken to her about it."

This intelligence threw him into silence, and again her eyes fed upon his firelit face with inappeasable hunger. She was one of those women, to be met with the world over and in any station, who are remarkable for a love of youth and the world, which age, sickness, and isolation but deepen rather than subdue; and his sudden presence at her fireside was more than grateful. Not satisfied with what he had told, she led the talk back to the blue-grass country, and got from him other facts of his life, asking questions in regard to the features of that more fertile and beautiful land. In return she sketched the history of her own region, and dwelt upon its differences of soil, people, and religion – chiefly the last. It was while she spoke of the Order of the Stricken Heart that he asked a question he had long reserved.

"Do you know the history of any of these Sisters?"

"I know the history of all of them who are from Kentucky. I have known Sister Dolorosa since she was a child."

"Sister Dolorosa!" The name pierced him like a spear.

"The nun who was here to-day is called Sister Dolorosa. Her real name was Pauline Cambron."