The Thirteen Problems

‘It all fitted in very well with the languorous drowsy feeling of the afternoon. The man’s voice was very suave and yet at the same time there was an undercurrent in it of something rather frightening. He was very obsequious in his manner, yet I felt underneath he was cruel. He made me understand the Inquisition and the terrors of all the things the Spaniards did better than I have ever done before.

‘All the time he was talking to me I went on painting, and suddenly I realized that in the excitement of listening to his story I had painted in something that was not there. On that white square of pavement where the sun fell before the door of The Polharwith Arms, I had painted in bloodstains. It seemed extraordinary that the mind could play such tricks with the hand, but as I looked over towards the inn again I got a second shock. My hand had only painted what my eyes saw—drops of blood on the white pavement.

‘I stared for a minute or two. Then I shut my eyes, said to myself, “Don’t be so stupid, there’s nothing there, really,” then I opened them again, but the bloodstains were still there.

‘I suddenly felt I couldn’t stand it. I interrupted the fisherman’s flood of language.

‘“Tell me,” I said, “my eyesight is not very good. Are those bloodstains on that pavement over there?”

‘He looked at me indulgently and kindly.

‘“No bloodstains in these days, lady. What I am telling you about is nearly five hundred years ago.”

‘“Yes,” I said, “but now—on the pavement”—the words died away in my throat. I knew—I knew that he wouldn’t see what I was seeing. I got up and with shaking hands began to put my things together. As I did so the young man who had come in the car that morning came out of the inn door. He looked up and down the street perplexedly. On the balcony above his wife came out and collected the bathing things. He walked down towards the car but suddenly swerved and came across the road towards the fisherman.